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If we want documentaries to get better, we need to stop giving them a free pass

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You might remember a little over a month ago when I returned from Sheffield Doc/Fest and wrote this piece arguing that documentary filmmaking was in a bit of a rut. Well, along with everything else I write here, that piece was eventually indexed on Rotten Tomatoes, at which point I was surprised to discover that a lot of the films I’d maligned (specifically Pussy Riot: A Punk Prayer and Blackfish) were in possession of dazzlingly high Tomatometer scores.

There were two possible explanations: either I was being unnecessarily harsh on these films, or the ‘critical fraternity’ was being uncharacteristically forgiving of documentary itself. Earlier this week I watched the 2008 festival hit Dear Zachary: A Letter to a Son About His Father and got my answer.

The film’s a horribly made, morally hysterical and frustratingly simplistic true-crime story, told in the form of a letter from director Kurt Kuenne (pictured above holding an award that cannot possibly be for filmmaking) to the son of his deceased best friend Andrew. Like so many in-the-right-place-at-the-right-time documentaries, it’s a fascinating story ineptly told. Or at least thats’s what I — and the tiny handful of critics who didn’t help bolster its 94% Tomatometer score — think.

Skim through a few of those glowing appraisals and you’ll find that many barely mention the film, instead describing at length the particulars of its emotive subject matter. Where documentaries are concerned, this seems to be common practice among critics — the logic presumably being that a fascinating story ineptly told is still a fascinating story. Similar concessions are not made for fiction filmmaking: try as I might, I can’t remember any of Tony Scott’s films getting a pass on the basis that runaway trains are undeniably dramatic.

I figured it would be a worthwhile exercise to take a more scientific look at the critical response afforded to documentaries, and chose as my test sample the Tomatometer scores of the 32 docs released theatrically in the UK since January. The results are pretty damning:

Film RT Score
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100%
Jiro Dreams of Sushi Image may be NSFW.
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99%
The Punk Syndrome Image may be NSFW.
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100%
Mea Maxima Culpa: Silence in the House of God Image may be NSFW.
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98%
Side by Side Image may be NSFW.
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95%
Fire in the Blood Image may be NSFW.
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100%
The Road: A Story of Life and Death Image may be NSFW.
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83%
Caesar Must Die Image may be NSFW.
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91%
Trashed Image may be NSFW.
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87%
Babeldom Image may be NSFW.
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83%
Michael H. Profession: Director Image may be NSFW.
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100%
The Spirit of ’45 Image may be NSFW.
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68%
Reincarnated Image may be NSFW.
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30%
We Went To War Image may be NSFW.
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100%
First Position Image may be NSFW.
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94%
Fuck for Forest Image may be NSFW.
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50%
Chimpanzee Image may be NSFW.
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74%
Village at the End of the World Image may be NSFW.
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100%
Beware of Mr. Baker Image may be NSFW.
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98%
The Stone Roses: Made of Stone Image may be NSFW.
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70%
Fire in the Night Image may be NSFW.
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100%
I Am Breathing Image may be NSFW.
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100%
The Act of Killing Image may be NSFW.
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98%
The Battle of the Sexes Image may be NSFW.
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88%
Stories We Tell Image may be NSFW.
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95%
Venus and Serena Image may be NSFW.
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76%
Pussy Riot: A Punk Prayer Image may be NSFW.
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77%
Les Invisibles  Image may be NSFW.
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100%
The Moo Man Image may be NSFW.
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79%
We Steal Secrets: The Story of Wikileaks Image may be NSFW.
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95%
Springsteen & I Image may be NSFW.
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90%
Blackfish Image may be NSFW.
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97%
AVERAGE Image may be NSFW.
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88%

That Snoop Dogg documentary must have been really, really awful.


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